The Kiss is an independent short film by
Joshua Cody, an award-winning artist and composer and artistic director
of
Sospeso
Ltd., and Paul Bozymowski, a graduate of Northwestern University's
film school and a filmmaker at the New York-based production company
Radical Media; he has directed the ESPN series
The Life and
Platform, the documentary on the Ground Zero viewing platform
in New York and its architect, David Rockwell.
Writing on the Sospeso performance that included the first screening
of
The Kiss, the
New York Times remarked, "There
were also a few ambitious video productions, the best of which was
The Kiss (2003), a cohesive drama about a transcontinental
romance, with an alluring score by Mr. Cody, the ensemble's co-director,
for soprano, violin, electronic sound."
The story of
The Kiss takes place in August 1978 and concerns a young
couple from Madrid spending the summer in New York. Andreo has abandoned
his literature thesis on the Spanish poet Federico García Lorca to pursue a law
degree at Columbia; he is finishing a summer internship at a major corporate law
firm and is anticipating a future in the corporate world with ambivalence.
Tasia, his girlfriend, is herself the daughter of a wealthy Madrid lawyer and an
extraordinary Moroccan mother who works in the Spanish government. She
misses Spain; Andreo has just received an offer from the New York firm:
will they stay together? If so, where?
Andreo works in the new Citibank building, a marvel of engineering whose
structure, unbeknownst to our protagonists and to the city of New York, has just
been found to be unstable: the building's architect, William, has
discovered an 8% chance of collapse during any month. How to explain this
to Citibank, his client? To the city? Will it fall? Can it be
repaired?
With its interwoven motifs of the power of the corporate establishment, social
and cultural identity, the architecture of skyscrapers, Spain and Morocco, love
and trust, the poetry of Lorca, the twenty minute film obliquely and inevitably
invites reflection upon the tragic events of September 11.
The next screening of the film, on digital video, will be by
Sospeso on Friday, January 9, 2004 at
a
performance at the Orensanz Center.