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Raymond Mase has
distinguished himself as a
soloist, chamber artist, and
orchestral musician.
As soloist, he has
appeared with the Boston
Pops, American Composers
Orchestra, Orpheus Chamber
Orchestra, New York Virtuosi,
Moscow Virtuosi, Naumburg
Orchestra, Summit Brass, at
the Bethlehem Bach and Aspen
Music Festivals, and with
numerous regional orchestras
throughout the U.S. He
recently appeared with the
ACO at Carnegie Hall for the
New York premiere of David
Sampson's Triptych
(written for Mase) which
performances received
stunning critical praise. He
is heard as soloist on
recordings by Orpheus, the
Summit Brass, the
contemporary music group
Parnassus, and on two recent
solo compact discs entitled
Trumpet in our Time and
Trumpet Vocalise. His current
solo and concerto recordings
may be found on the Deutsche
Grammaphon, Summit, Koch,
Cambria, and MHS labels. In
April 1998, he recorded the
Sampson Triptych with
the Czech Philharmonic
Chamber Orchestra, Alan
Balter conducting.
Since 1973, he has served
as trumpeter with the
American Brass Quintet,
"the high priests of
brass" (Newsweek),
and has made over thirty
recordings with the Quintet.
He has been responsible for
many of the ABQ's performance
editions and recordings of
16th, 17th and 19th century
brass music. He is also a
founding member of the New
York Cornet and Sacbut
Ensemble, a group
specializing in the
performance of early brass
music on original
instruments, and the Summit
Brass.
Raymond Mase serves as
co-principal trumpet of the
American Composers Orchestra,
New York City Ballet
Orchestra, the Westchester
Philharmonic, and has
regularly performed and
recorded with the New York
Philharmonic, the Chamber
Music Society of Lincoln
Center, Speculum Musicae, and
Musica Sacra. He is the
Chairman of the Brass
Department at The Juilliard
School and also serves on the
faculties of the North
Carolina School of the Arts
and the Aspen Music Festival.
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