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Sospeso presents the
world premiere of Mexican-born composer Hilda Parades' homage to
Elliott Carter, Seed of Time,
for chamber ensemble, on Friday,
January 30, 2004.
Hilda Parades
was born in Mexico, where she studied piano and flute. She arrived
in London in 1979, where she continued her studies and flute performance.
During her first few years in London, she did several arrangements
of popular and classical music for various ensembles, with which
she regularly performed. Her first completed compositions date from
this period.
As a composer,
she was an active participant in master classes at Dartington Summer
School with Peter Maxwell Davies and Richard Rodney Bennett. She
graduated from the Guildhall School of Music and obtained her Master
of Arts at City University in London. She completed her PhD at Manchester
University.
In 1988,
she received the Music for Dance award from the Arts Council of
Great Britain for the creation of El Prestidigitor and
was then invited to take part in the International Dance Course
for professional composers and choreographers.
She took
part in the first Garden Venture Opera Project at Dartington, organized
by Covent Garden Royal Opera House in the summer of 1989, where
her first music-theatre pieces were completed.
In 1990,
the Arts Council of Great Britain awarded her the fellowship for
composers to complete her first chamber opera The Seventh Seed,
which is now released on CD by Mode
Records, New York. That year, she went back to live in Mexico.
While in
Mexico, she taught at the University of Mexico and, for five years,
produced a weekly radio show covering new music. She also published
several articles on music in various music magazines and newspapers.
She was an advisor and tutor for young composers sponsored by the
National Fund for Culture and the Arts. She collaborated with the
Orchestra of Baja California, creating several arrangements and
orchestrations of Spanish and traditional Mexican songs, some of
which have been released on CD.
She has
been the recipient of important awards in Great Britain, the USA,
and Mexico, including the Holst Foundation Award for composers in
the UK; the Sistema Nacional de Creadores Fellowship; the Rockefeller;
the Fund for Culture Mexico/USA award, and, recently, the prestigious
J. S. Guggenheim Fellowship in New York.
She currently
lives in London as a freelance composer. She has taught composition
at Manchester University and has frequently taught masterclasses
in Mexico. She is now working on a chamber opera commissioned by
the Neue Vocalsolisten from Stuttgart and the English National Opera
Studio in London. The libretto is based on Isabel Allende's story
The Phantom Palace.
Miss Paredes
has been commissioned by soloists, ensembles, and orchestras in
Great Britain, France, Germany, Australia, Mexico, and the US.
Her music
has been widely performed at important international festivals,
including Dance Umbrella and Huddersfield, in the UK; Darmstadt,
Eclat, and the Romerbad Musiktage, in Germany; Musique d'aujourd'hui
and Octobre en Normandie, in France; Wien Modern, in Austria; the
Akiyoshidai Music Festival, in Japan; Archipel and Europaischer
Musikmonat, in Switzerland; De Ijsbreker Chamber Music Festival,
in the Netherlands; Warsaw Autumn, in Poland; Ultima, in Norway;
the Melbourne Festival, in Australia; Festival Cervantino and Foro
de Musica Neuva, in Mexico; and others.
From the
composer's website, www.hildaparedes.com.
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