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Jacqueline
Chambord reads René Char's poetry,
the basis of Pierre
Boulez's celebrated song
cycle Le
Marteau Sans Maître, on
Sospeso's March
5 concert.
René
Char, one of the important
twentieth-century French
poets, was born in 1907 and
died in 1988. A
controversial figure, he had
as many detractors as
admirers. He was a
pivotal personality in the
surrealist movement, and
later was a strong cultural
force in the French
Resistance. "His
work," writes Yves
Berger, "is the portrait
of a man with will, energy,
impatience, an almost
animalistic force.
Nothing provokes him more
than immobility (that
is, resignation, or
acceptance of the status
quo): thus his
language, his images of
movement. a movement not
supple and flowing, but
rapid, strong, violent, even
brutal."
Jackson
Matthews, in the introduction to
Char'sHypnos Waking,
provides this portrait:
"He is an abundant man—in size, in vitality, in speech, in silences, in ideas and affections, in seriousness, gaiety, gentleness, violence.
The sum of all these is a kind of
brooding intensity that seems at any moment free to take any turn.
He is exalted and harried by the excessive life in him.
He speaks in the rhythms of Provence where he was
born, where he grew up, and where he still lives in part.
He studied at the lycee in Avignon and at the University in Aix.
He was one of the early surrealists.
"But it was the war and his experience as the leader of a Maquis group in Provence that have most deeply affected his work—channeled his major themes, furnished the
substance and many of the subjects of his later poems.
The privation, the hunger, the moral suffering of those years were somehow turned into the passionate economy of his
style, his rage to compress everything into aphorisms and short bursts of prose.
"Char restores to the poet his mission in our distraught world. This is the major burden of his work.
He has faced the difficult conditions of human freedom, and understood
the role of the imagination in the life of man.
He defends poetry with the passion of Shelly but with more human warmth and wisdom.
It is in his humanity, his love, that
Char stands above most of his contemporaries.
But this love is fatally crossed.
For the poet is the visionary leader of man, an absolute figure alone on the frontiers of the
possible, 'there where the sky just went
down.' His task is to bring into being the unhoped-for, the unexpectable.
In the high lucidity of his star-crossed love, in the flash of
the poem, Char has learned how to hope and how to praise."
Joshua Cody, with text from The
Library.
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