Sospeso
presents celebrates the 95th birthday of the legendary American
composer on Friday, January 30,
2004. Sospeso and guest artists the Arditti
Quartet will celebrate as well the release of Mode Records'
high-resolution Carter CD/DVD Quintets
and Voices, featuring Sospeso, the Ardittis, and Ursula
Oppens. Four of Mr. Carter's recent works (including the Italian
song cycle Tempo e Tempi, sung by soprano Lucy
Shelton) mingle with newly written tribute works by an international
group of leading composers, including Pierre
Boulez, Elliott Sharp,
and Christian Wolff.
Twice winner of the Pulitzer Prize, the first composer
to receive the United States National Medal of Arts, one of the
few composers ever awarded Germany’s Ernst Von Siemens Music Prize,
and in 1988 made Commandeur dans l’Ordre des Arts et des Lettres
by the Government of France, Elliott Carter is internationally recognized
as one of the leading American voices of the classical music tradition.
He recently received the Prince Pierre Foundation Music Award, bestowed
by the Principality of Monaco, and was one of a handful of living
composers elected to the Classical Music Hall of Fame.
First
encouraged toward a musical career by his friend and mentor Charles
Ives, Mr. Carter was recognized by the Pulitzer Prize Committee
for the first time in 1960 for his groundbreaking compositions for
the string quartet medium, and was soon thereafter hailed by Stravinsky
for his Double Concerto for harpsichord, piano and two chamber
orchestras (1961) and Piano Concerto (1967), both of which
Stravinsky dubbed “masterpieces.” While he spent much of the 1960’s
working on just two works, the Piano Concerto and Concerto
for Orchestra (1969), the breakthroughs he achieved in those
pieces led to an artistic resurgence that gathered momentum in the
decades that followed. Indeed, one of the extraordinary features
of Mr. Carter’s career is his astonishing productivity and creative
vitality as he enters his tenth decade. Critics agree that his recent
scores are among the most attractive, deeply-felt and compelling
works he has ever written.
Mr. Carter’s major orchestral essays of the past decade include
Three Occasions (completed 1989) and his
enormously successful Violin Concerto (1990), which has been performed in more than a dozen countries. A
recording of the latter work on Virgin Classics, featuring Oliver Knussen conducting the London Sinfonietta
with soloist Ole Böhn, won Mr. Carter a Grammy for Best Contemporary Composition of 1994. New
recordings of Mr. Carter’s music appear continually, making him one of the most frequently recorded
contemporary composers.
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