Sospeso’s fifth anniversary concert presents the extreme edge of contemporary music in an entirely new way.
A countdown of ten works, played without pause, is articulated through projected film, live video, and lights on the dark arena of the stage.
Disparate works—from the near silence of
Helmut Lachenmann’s Pressure to the searing intensity
of György Ligeti—are
forced into a provocative dialogue. Sir
Harrison Birtwistle’s starkly beautiful setting of Alain
Robbe-Grillet confronts
Joshua Cody and
Paul Bozymowski’s extravagant new short
film with live music, a meditation on the events of 9/11,
filmed in four languages with an international cast of twenty
actors. Boundaries between works and genres disappear as music
melts into theatre, as live performance dissolves into film,
in a choreography of light and darkness designed by Jeff
Sugg (The Wooster Group).
Newly composed works by Sospeso composers Joshua Cody and
Kirk Noreen bind the program together in a continuous drama,
and provide a musical commentary on a body of music—a retrospective
of Sospeso’s first five years—that reflects everything from
minimalism to opera, noise to African percussion, electronica
to flamenco, Tibetan chant to free improvisation, hardcore
to the television sitcom.
Well, okay, maybe not everything. But still.